The Southampton International Exhibition 2020 11 August 2020   

RH verreauxThe club was given the special opportunity to see the accepted and awarded images from the 107th Southampton International Exhibition of Photography which is organised by Southampton Camera Club. Entries were open to any photographer, amateur or professional, who lives anywhere in the world. The competition was judged in earlier in the year and usually there are a number of roadshows organised to show the awarded images, the exhibition and the award ceremony but due to the pandemic these had to be cancelled. Luckily they were able to hold the judging in February and get the catalogue printed before the lockdown.
Sue Dunham CPAGB APAGB, chairman and organiser of the digital roadshows has been involved with the event for the last 17 years. Using Zoom, Sue was able to give members an interesting insight into all the work involved sorting over 5,000 entries digital and print entries from 45 different countries!
Entries are divided into 6 Categories – Open print and PDI, Nature print and PDI, Mono print and Landscape PDI.
Sue recalled the difficulties sorting out entry forms wrongly completed, translation problems and even entries from photographers on the banned list - these are photographers who have been caught cheating by not following the rules or even entering other photographer’s images as their own!

RH valeClive Rathband FRPS FPSSAEFIAP DPAGB and Joan Ryder Rathband FRPS FPSSA AFIAP DPAGB, both members of Devizes CC were invited to be judges for the Nature Print and PDI’s and also the Landscape PDI’s. Clive and Joan were able to give their comments on the judging and remarked how well Southampton CC organised the Salon. Clive said it was interesting seeing the images from so many different countries. A new innovation is the use of drones which can give very different landscape views not seen before.
Sue explained how the salon type judging works with each of the 3 judges having just a few seconds to decide whether to award 2,3,4 or 5 points. No titles or authors are shown so the images need to have impact or have something special about them for the higher points to be given. The 3 judges scores are then added so that those over 11 points gained an acceptance. The top scores are then looked at again, this time with more time to decide on the awards and winners in each category. A range of awards are given - medals, ribbons and certificates of merit as well as awards for special subjects within each category. Camera technology has moved on making it easier to take good photographs but the standard of entries has soared making it a great achievement to gain an award.
As with all judging it is subjective and judges all have their preferences.
Devizes club member, Robert Harvey ARPS EFIAP entered the competition and gained 5 acceptances so very well done to him.
Frank Collins thanked Sue for sharing the images and for giving a little insight into what goes on behind the scenes and all the work it entails. Members were reminded that they could send in their Salon acceptances and awards and compete for the club Ryder Rathband Trophy. PM
Images © Robert Harvey - 'Sunrise, Vale of Pewsey' and 'Verreaux's Sifaka'

The Art of Travel Photography by Chris Upton 28 July 2020   

CU santoriniThrough the use of technology, travel photographer Chris Upton was able to give his presentation from his home in Nottinghamshire. The lockdown has resulted in the use of Zoom for virtual meetings so that we can enjoy presentations from those speakers normally too far away to visit us for a normal club evening.
Although travel is very much restricted for the time being, a good number of members and guests very much enjoyed hearing Chris’s information and tips on how to prepare for a photographic trip – whether that is a family holiday or a specific photographic trip.
Starting with the planning, Chris said do as much research as you can before you go, plan the locations and the images you would like to take to make the best use of your time away.
Organise and pack your kit carefully and check that you have everything you need. Chris emphasised that you should get to know your camera really well before you go so that you instantly know what settings are best in a variety of situations.
CU schoolLandscapes can show the iconic views and give a flavour of the country you are visiting but also consider photographing the local people. Close-up portraits of interesting characters make good images but showing some of the background gives context. Learning a few words in the local language can help engage with people.
Chris showed us a large selection of his images excellent taken at trips around the world, amazing landscapes, iconic buildings, chaotic street scenes and interesting portraits. He explained what had appealed to him about the images - how he set up his equipment and some of the settings he used. He gave lots of very useful tips about how to take the best photographs during your trip.
Chris said that travel photography is all about what we see – not what we have come to see.
Follow your plans but also be flexible the weather is sometimes against you and the sunset you planned did not happen. If it rains look out for interesting reflections. Seek out unusual details, look up or try different angles. Keep it simple and avoid background distractions.
Arrive early at your destination so that you can pick the best spot. Check before you press the shutter that the framing is correct and gives the subject some breathing space and check that the subject is exactly symmetrical if appropriate.
Try to capture the atmosphere of the area. Look out for festivals or local customs for some interesting subjects. Use a tripod when possible but nowadays the image stabilisation allows you to take excellent images hand held.
Hopefully when travel restrictions are lifted everyone can put Chris’s useful tips into practice!
Chris was thanked for a fascinating evening which showed the considerable planning involved in a successful photographic trip. PM
Images © Chris Upton  Chris Upton's website

'The Power of Personal Projects' 14 July 2020   

On 14th July, Glyn Dewis joined us on Zoom! to give his presentation on The Power of Personal Projects.
Glyn told us he started as a Photoshop retoucher in TV before moving on to take his own photos. Early advice he received as a photographer was a) if you don’t know what to photograph, then photograph everything and b) set yourself photographic projects.
Having a love of wildlife, Glyn began taking photos of animals, mostly in zoos and wildlife parks. He would then use his knowledge of Photoshop to recreate the images to show the animals in a different context, for example his images of elephants at water holes. An encounter at Monkey World with an ape that had experienced a particularly hard life led Glyn to appreciate the power of facial expressions, as seen in his image of the ape.
After seeing the film Dad’s Army, he contacted the Oxfordshire Re-enactment Group and, with their help and enthusiasm, started learning how to photograph people in uniform. Using these contacts, he contributed images to a book for a church group showing individuals with photos of themselves as young children in wartime.
This experience led Glyn to decide that he wanted to take images of British veterans of the Second World War in their homes as a full time project. So he started what became his 39-45 Portraits Project and his images can be seen on his website. 
Glyn talked us through his encounters and the stories behind the people in his photographs. The Horsa glider pilot who landed in at Pegasus Bridge in Normandy on D-Day; the 90 year old lady who, at 18, had been a radio operator in Normandy with SOE; the 99 year old who had become the youngest spitfire pilot during the Battle of Britain; to name just a few.
Glyn also talked about how he sets his subjects at ease in front of the camera, uses a remote release and silent shutter with a steady light so that the subject is not always aware of photos being taken. This was particularly useful, he said, when photographing a veteran who still suffered from PTSD after a shell landed at his feet before exploding. He also presented a short video to show how to set up lights to create a Rembrandt effect.
During the second part of his presentation, Glyn talked us through a number of Photoshop techniques, including how to create and use Look-up Tables, how to use sharpening selectively, and how to select and replace a sky. Glyn kindly provide links to his websites, Facebook and YouTube channels for his galleries and tutorial sessions which have since been made available to DCC members in a recent email.
In thanking Glyn for a wonderful presentation, Frank paid tribute to Glyn’s obvious passion for his project and the people and stories behind his images. Comments were heard on Zoom! such as “fantastic evening” and “inspirational” as everyone chimed in with their thanks to Glyn. DF

Polina Plotnikova FRPS EFIAP – 'Starting from a Blank Canvas' 30 June 2020   

Polina Plotnikova 1602 9110 22The club was delighted to have a Zoom presentation by multi award winning photographer Polina Plotnikova. Steve Hardman introduced her by saying she was a picture maker rather than a picture taker in that she starts with a blank canvas with an idea in her mind and then finds and arranges the subjects to create the image.
Polina showed images from some of the artists and photographers that inspire her. An example was the simple white backgrounds of the flower paintings by Pierre-Joseph Redouté which inspired the superb ‘White on White’ images. Another example were classical Flemish artists whose images depicted flowers, fruit and insects on dark backgrounds and Polina showed us her superb photographic versions.
Polina was recently made a Fellow of the Royal Photographic Society with her panel of flower images titled ‘Past Perfect’ which very cleverly showed the beauty of the colours and forms as they aged. She explained it was not as easy as just taking images of dead flowers – she looked for the interesting shapes and textures as they decomposed and the best ways to depict them.
Her favourite photography subjects are flowers and still life as she says she is a ‘control freak’ and these subjects do not move about and she can arrange them to get exactly the appearance required. The overall composition, background, colour scheme and lighting are all very carefully thought out beforehand.
PP 1
We were shown how the subject is set up in her studio, the lighting carefully arranged and the camera setup so that she can see the camera image on a computer screen. Everything is perfected before she takes usually just one photograph. Just a minute adjustment makes all the difference and Polina takes great care over every tiny detail. Every part of the image has to be correct – the colours must blend and the viewers eye must flow around the arrangement.
Polina experiments with different lenses that can give her the image she has in mind. The Lensbaby is a favourite as the area of focus can be adjusted and soft focus can give an ethereal effect. Another technique is ‘Dancing Flowers’ where an in focus image is combined with deliberate camera movement. Most effects are taken in camera although occasionally she uses textures in post processing to give the required effect.
After the break Polina showed the work of some of the historical artists that inspire her still life photographs.
She visualises her images and then goes about finding exactly the right objects that fit her vision.Every object has to be just the right shape, size and colour to fit perfectly into the envisaged still life setting. Every part of the arrangement must harmonise and be adjusted to show to prefection.
Great care is taken with the lighting the background and the arrangement of all the props. Every object is important for the composition – anything misplaced can ruin the composition.
Members were impressed by the quality of her images and the dedication that goes into them.
Steve thanked Polina for her absolutely fascinating and inspirational insight into her approach to photography and members showed their appreciation with many messages of appreciation. Maybe members will be inspired to try out some flower and still life photography for themselves. PM

Images © Polina Plotnikova   See more images on Polina's website

Mark Pain - Award Winning Sports Photography at the Olympics and Beyond 16 June 2020   

In the second of our Zoom! Summer Programme, Devizes Camera Club welcomed Mark Pain to deliver a presentation on Sports Photography. A Nikon Ambassador, Mark is a multi-award winning sports photographer, having won the Sports Photographer of the Year Awards in 2005 and 2011. He covers a wide range of sports including football and rugby World Cups, golf Ryder Cups and athletics World Championships. He has also been involved in 4 Olympic Games, winning the Olympic Photographer of the Year award from British Airways in 2012.
MP 1Splitting his presentation into two halves covering his day-to-day activities in the first and images from the Olympics in the second half, Mark emphasised the need to be prepared before the event from a physical, technical and mental standpoint. Several of his stories associated with the images demonstrated the hard work he puts in to preparing and planning for capturing fleeting moments in the sports he attends.
Mark started by showing us an audio-visual entitled Capturing the Moment. This was a compilation of stunning sporting images taken during the course of his work, covering a full range of sports including footballers celebrating goals; rugby players at the moment before touchdown; the start of the Epsom Derby; a bobsleigh racing past a mother and child in St Moritz.
One particular image was of Tiger Woods at the Ryder Cup at Celtic Manor in 2010 (see inset). Mark told us how Tiger was struggling in the heavy rain and had hit his drive way left into the rough. The marshals formed the crowd into an arc around him with the cameramen further forward encroaching on Tiger’s eyeline. Tiger then shanked his shot and the ball flew straight at Mark, hitting his camera on the front of the lens and dropping to his feet. Mark was also struggling with his camera equipment in the rain, but, having pre-focused his camera on Tiger’s head, using back-button focusing, setting his desired aperture, shutter speed and ISO, he was able to get the shot without the camera trying to focus on the ball.
During the break, Mark was asked what his favourite sport was. He said that he didn’t really have a favourite, but that he learnt about manual focusing shooting basketball in Kingston with his first camera at the age of 14. He had also enjoyed photographing table tennis in Bracknell during his youth.
MP 2During the second half, Mark talked enthusiastically about his love of photographing at the Olympics. Again, he showed us an audio-visual compilation of wonderful images as an introduction, and he told us not to give up on the picture you want and to keep going back till you get it right.
He told us how it took him 3 days of trying to get an image of a relay runner through the heat haze of the Olympic flame. How he took 4 days to get the picture he wanted of a paralympian table tennis player about to serve. And how, having failed to get a place on the photographers’ podium, he retrieved his 400mm lens and x2 converter, found a place in the crowd, pre-focused his camera and waited for Zara Phillips to lean forward to receive her silver medal from her mother, Princess Anne. He said that he just could not have got a picture like that from the photographers’ podium as he would have been looking at the back of Princess Anne’s head.
Asked what his favourite image was, Mark said that his image of a diver at the Beijing Olympics would have to be his choice (see inset). The photographers had been given seats at the 10m level (the height of the board) but the backgrounds were too messy and distracting. But this guy, who didn’t towel himself dry between dives, always had the spray of water as he tumbled through the air. So, Mark went back early the following day to see if he could photograph during the practice session. He got access to the VIP seats with a perfect view of his subject. As it was early, the auditorium lights had not been switched on which meant the background was dark with no distractions. The result is a fabulous image that is obvious reward for perseverance.
Final messages form Mark were to remember to check all your camera setting, especially when moving from one environment to another. He also said that we shouldn’t be afraid to fail as long as we work out what we did wrong and learn for next time.
Chairman Steve was effusive in his thanks, as always, saying that he had been blown away by the many of the images and had learnt a number of techniques to try out in the future. DF
images © Mark Pain

An evening of Photoshop Tuition with Clive and Joan Ryder Rathband 2 June 2020   

Image1Members were welcomed to the first of the DCC Summer bonus meetings and this one was to be a special masterclass by Clive and Joan Ryder Rathband on the use of Photoshop. Clive and Joan are both Fellows of the Royal Photographic Society and give frequent tutorials and lectures.
Nearly 40 members logged in to the meeting including some invited visitors from South Africa
Joan began the tutorial by saying that if members only learn one little thing during the evening then it will all be worthwhile! It was to be a practical hands-on in-depth demonstration of some of the Photoshop editing techniques that Clive and Joan use.
First of all, the six images chosen for the demonstration from the recent club battle which Clive and Joan judged were shown. Joan explained that she would show her method of making them ‘glow’ by using adjustment layers and the very comprehensive tools in PS. 
Joan said that the latest version of Photoshop has amazing features and was well worth the monthly charge.
After opening the image in PS then you should always remember to duplicate it before starting ant editing so that the original is always safe.
Every image is different but Joan said that she always starts by using ‘curves’ on an adjustment layer as the histogram can be carefully tweaked to increase the contrast. Go slowly and make changes bit by bit and don’t panic if anything looks wrong because you can always go back.
Using more adjustment layers and masks, areas of the image can be enhanced as needed, colours can become more saturated, using dodge and burn tools and using a soft brush, areas can be lightened or darkened. Use the opacity slider to reduce any effects if needed. Using overlays, you can further adjust the image using soft or hard light blend modes. Skies can become more defined and features made more prominent. Experiment and see the differences.

Shown are the images before any editing and how they 'glow' after editing

Take your time and use your eye to decide how far the image needs to be enhanced.
After all the adjustments the image can be sharpened but do make sure not to overdo it or halos and pale lines will appear around edges.
Always edit in colour even if you intend to convert the image to black and white. Further adjustments may be needed to enhance the contrast in monochrome images.
Finally, Joan advised members to never flatten edited images so that at any time you can go back and do further changes if required. You can look back at your original image to see the difference the editing has made.
Joan did say that there was a lot to take in during an evening especially if you had not used Photoshop before but members should repeat the process over and over to gain confidence. With a lot of repetition, members will find their preferred method and it will become much easier.
Many thanks to those whose images were edited by Joan and Clive for the tutorial. They were impressed and said that their images appeared much improved. Although, as Joan said it is up to the photographer to decide exactly how their final image should appear.
Several members had questions about using layers in PS which Joan answered. Many had not used the software before and others asked about the best way to sharpen an image. A member asked how to show 2 images side by side for comparison – Joan has since found that you click Windows/ arrange/choose - this may be useful to know.

Members thanked Clive and Joan for showing them how their images could be brought to life using the tools in Photoshop 2000.
Steve Hardman thanked Joan and Clive for the huge amount of work they had done editing the images and that it was a very worthwhile evening.
Thanks to David Eagle for hosting the meeting. Members - do log in to see the interesting speakers that the club has arranged for the next couple of months. PM

Annual General Meeting 19 May 2020   

The club AGM was rather different this year as members could not actually meet face to face as usual but had to meet up in a rather different 'virtual' world.
Club Chairman Steve Hardman said that it had been quite a year in many ways being busier than ever with a myriad of changes and problems, none of which could have been foreseen in September.
The club took the decision not to hold club evenings at the Sports Club from March 17, before the Covid 19 lockdown was eventually forced upon the club. At this stage it was becoming clear that it would be some time before we could meet in person again, so the committee looked at a way that we could continue the programme with ‘virtual’ meetings. The committee thought it was a good idea so, after some trials, the club has been using Zoom for competitions and speaker presentations and it has proved very popular. Using the new technical knowhow the club hopes to be able to provide “hybrid” meetings in future whereby those members who cannot attend in person can still see the evening’s
proceedings. How things will pan out during the next year is not certain, but the club is in a good position to move forward.

There were just two resolutions for members to vote on, the first proposed greater clarity of General Competition Rule 1.2 over what is and is not permissible when including other people’s ‘art’ within an image entered for competition. The resolution was unanimously approved and images submitted for competition must be entirely the work of the photographer and in composite images royalty free image banks and clipart, are not permitted. See the competition rules.

The second resolution of the evening was to clarify the charge made for Zoom meetings. Up until now members could voluntarily contribute the £2-50 charge usually paid for meetings. To maintain the quality of our programme, it is important that all attendees pay the on-the-night charge. The fees are an important revenue stream for the club, which over the year pays for our visiting speakers and judges. The vast majority of members voted to pay the charge but there was a great deal of discussion about how and when the fees could be collected whether they attend in person or via an internet meeting service such as Zoom. The club treasurer and committee will decide the best way forward.

The election of officers followed with only a couple of changes from the previous committee. Lynda Croft will take over as club treasurer and Gerald Clarke will take on the joint role of Competition secretary together with David Eagle and David Wilkinson. The full list can be seen in About Us.

Steve announced that virtual meetings will be held fortnightly during the summer.
Programme Secretary Frank Collins has  managed to very quickly find interesting topics and presenters to lead the meetings so members are very much looking forward to those. See the Programme for details.
The club committee decided to ask members to submit ideas for a new club logo and 2 designs were put forward for a vote. The chosen design is by Pam Mullings and is a take on the glass elements in a lens and can be used on club information whenever required.

David Eagle was thanked for all his work setting up the Zoom meetings and also congratulated on his move from Beginners to the Intermediate section. Also congratulated were Sue Wadman and David Wilkinson who move up to the Advanced section.

Finally, the club was not able to present the members with their trophies in the usual way so we will very much look forward to holding that event at a future date. See the list of 2019-2020 trophy winners. PM

A win for the Ladies - again! 12 May 2020   

Almost the end of the 2019-2020 season and the last competition was a ‘battle’ between the ladies and the gents of the club. Billed as a ‘fun’ event, nonetheless members do take it very seriously and both genders are all out to win!
Entries are sent in to the two captains and then with help from others a selection is made. All members may enter and those in the Beginners and Intermediate sections get a bonus of 2 points to encourage entries from those groups. As there are many more men in the club than ladies then their entries are limited to two each.

BC Tower BridgeTo avoid shouts of bias the club asked both Clive and Joan Ryder Rathband to judge the competition – both are very experienced judges and both are Fellows of the Royal Photographic Society amongst many other distinctions.
DW Snow BuntingThis had to be a virtual battle so Zoom was used very successfully to show the images and hear the comments from the two judges who had assessed the entries separately. Mostly they agreed on the merits or otherwise of each image but occasionally there was a gasp from one as the others score was announced!
Clive and Joan gave very informed comments on each image before giving a score out of ten. The scores were added and the bonus points added and then Frank Collins announced each score and kept a running total. The first 30 images were shown and at the break the Ladies were ahead 232 points to 222. The Gents caught up during the second half and it was very close until the last couple of images when the Ladies ended up with a total of 471.5 and the Gents very close behind with 467 points. Congratulations to the Ladies and commiserations to the Gents for loosing for the second year in a row!

Many of the comments by the judges related to the removal of distracting areas in the images.
Members were advised to look very carefully for any light spots or other distractions in the background. Unless the image was entered in a nature or landscape competition where specific rules apply, manipulation is allowed and blemishes etc. removed by cropping or carefully cloning or GC Orchiddarkening down any light spots. The advice was to look closely at the background as well as the foreground and also make sure you tease out all the details and colours you can from each image. Also try flipping an image left to right and then comparing the two views as often the eye ‘reads’ an image better from the opposite view.

RH stormNo image gained the full 10 points each from both Clive & Joan but very well done to Bridget Codrington who was awarded a 10 and a 9 plus 2 bonus points making 21 points in total for a night scene titled ‘Tower Bridge’above left. Both judges said that it was taken at the perfect time – that is just at dusk in order to get some colour in the sky and that the highlights were very well handled
‘Male Snow bunting’ above right by David Wilkinson also did well with a 9.5 and a 9 plus 2 bonus giving 20.5 points. Clive and Joan both thought it was an excellent image of the bird in a good pose showing great detail.
A striking image by Gill Cardy FRPS EFIAP DBAGB titled ‘Burnt Tip Orchid’ left gained a 10 and a 9 from the judges making 19 points as was Robert Harvey ARPS EFIAP with 19 points for ‘Storm Ciara’ right – both without any added bonuses as they are both in the Advanced section.
Other images with high scores were a close up study ‘Portrait of a Bluebell’ by Sue Wadman with 19.5 (9.5 + 8 +2) and a well taken ‘Common Puffball’ by Craig Purvis with 20 (8.5, 9.5 +2).

Summing up Steve Hardman said the club was fortunate to have such experiences judges as members and thanked them both for giving such helpful comments and for answering some questions about how to achieve the ‘sparkle and glow’ that they said they always look for when judging an image.

Thanks to the ‘captains’ Bridget Codrington and Dave Gray, to Frank for the scoring and to all the others that helped choose the entries.
Thanks once again to Dave Eagle for showing the projected images as well as running the Zoom meeting. PM
Members scores

Print & Projected Image of the Year 2019-2020 5 May 2020   

DE Broad Bodied ChaserAll the images that have been awarded a 1st, 2nd or 3rd in the 2019-20 season are entered in this last competition for the judge to choose the best of the best. This is a particularly difficult task as the images have come from a range of different genres – nature, landscape, monochrome, creative as well as all those entered in the Open competitions. Ralph Snook ARPS DPAGB EFIAO/b has judged many times for Devizes and said that it was good that the club was still able to run competitions although in a rather different way.

CP Venetian SunfireThe judge was in Bristol and 40 club members in their own homes so it had to be another virtual meeting. Competition Secretary Dave Eagle did an excellent job juggling with DiCentra software on his computer to show the images as well as running the meeting using Zoom.
The awarded Prints in the 3 sections had to be judged as Projected images on this occasion. Starting with the Beginners Ralph commented on each image and gave some tips about cropping uninteresting areas in the images to make the main subject more prominent.
First place went to ‘Broad-bodied Chaser’ right by Dave Evans. The judge said it was very sharp close-up image with the light showing up the veins in its wings.
A very different image was second with ‘Dawn Breaking – Winter Solstice, Avebury' by Bridget Codrington showing silhouetted people against the sky. In third place was a misty forest scene titled ‘Bird Box No 7’ by Dave Eagle.
Next came the Intermediate print section which Ralph saying that all the images were strong making it difficult for him to just pick out 3 for awards.
The impressive coloured sky and colours reflected in the water in ‘Venetian Sunfire’ left earned Craig Purvis first place.
RH petraThe judge said that the image ‘Fox on the Alert’ by David Wilkinson was very well caught. He commented that the fox was not aware of the photographer and gave it 2nd place. Another image by David Wilkinson was third – this time a snowy scene titled ‘Mountain Hare’ The judge liked the textures and the detail in the snow.

PC motherNext came the Advanced group with a wide range of subjects.
Images by Robert Harvey ARPS EFIAP gained most of the awards with ‘Overlooking Petra’ right in first place. Ralph said it was a very strong image and particularly liked the complimenting colours of the figure on the rocks. In third place was a striking image by Robert of a very colourful creature against a black background titled ‘Parson’s Chameleon’ Robert also had an HC with ‘White-tailed Sea-eagle Hunting which the judge said was caught at just the right moment.
Just stopping Robert sweeping the board was ‘Fantasia’ an image by Pam Mullings gaining second place. Ralph said that although creative images were not his thing he said this one grabbed his attention and he liked the complimenting colours.

After a short break we went on to the images that had won awards in the Projected Image competitions.
The images in the Beginners section were shown with again Ralph giving his helpful comments on each one. Five images were picked out for awards with first place going to an image which Ralph said showed a lot of emotion. The expressions in ‘Sometimes being a Mother’ left could be interpreted in many ways - who knows what was really going on in the mother and baby’s minds.
Second place went to a dramatic seascape. ‘Storm Dennis’ by Dave Evans showed the action of a huge wave as it swept over the lighthouse – Ralph hoped the photographer did not get too wet!
Another nature image was third with ‘Mummy, feed me please’ by Mark Somerville and Mark also gained an HC for a monochrome image of a motor biker ‘Guy Martin’
An HC was also awarded to Jennifer Skjoldbro for an interesting sunset scene ‘Beauty and the Beach’ with its well caught reflections.
DW SylarkNature subjects were the winners in the Intermediate section with ‘Skylark with Bugs’ right by David Wilkinson in first place. The judge liked the detail and that the bird had a ‘bug’ in its beak.
Second place went to Craig Purvis with ‘Red Cracking Bolete’ a striking image of a mushroom with morning dew in the foreground moss. Third was a close-up of paired butterflies ‘Leopard Lacewings’ by Steve Hardman. The image was sharp with a clean uncluttered background.

RH SandstormtLast but not least was the Advanced section with Ralph saying that all 16 entries were of a very high standard so it was hard for him to choose the winners. Again it was Robert Harvey who very nearly swept the board with a first, second and 2 HC’s.

The swirling sand and the textures in ‘Sandstorm, Namib Desert’ left impressed the judge and it was given first place. In second place was a nature image ‘Common Darters in Tandem’ which Ralph said was pin sharp and a very difficult subject to capture. Robert gained HC’s for another Namibia image ‘’Milky Way over Grandidier’s Baobab’ and a snowy image ‘A Rabbit Before Me’
Another creative image by Pam Mullings slipped into 3rd place ‘Bolt from the Blue’ was something a bit different said the judge.
Many congratulations to the winners in each of the 6 sections - the Trophies will be presented when we can meet up again.

Steve Hardman thanked Ralph for judging and commenting on all the 76 entries and hoped that next time he would be able to come and judge in person.
Thanks were given to Dave Eagle who has done such a good job of running the virtual competitions so successfully.
An interesting competition with a wide range of subjects that hopefully everyone enjoyed watching. PM

All the awarded images can be seen in the Galleries        Club Awards for the 2019-2020 season



'What Aperture for Antarctica' 28 April 2020   

JC CalifateOn Tuesday 28th April, the camera club’s Zoom meeting was attended by over 40 people to listen to Josh Cooper’s talk - What f-Stop for Antarctica?
Josh started by explaining that, on retirement a couple of years ago, he and his wife decided that it would be a great idea to go on a “trip of a lifetime” beyond their usual constraints of Europe. Having aborted a prospective trip to Australia and New Zealand, they eventually settled on Antarctica.
Their first stop was Buenos Aires which, contrary to their expectations, they found was surprising European and friendly. Josh later discovered that much of the city had been designed along the same lines as Paris.
JC sealsOn to El Chalten in Patagonia where Josh thought the mountainous landscape was magnificent, although he bemoaned the changeability of the weather and the lack of opportunity to explore compositions. He did, however show us a few great cloud enshrouded mountain images. Next on their journey came El Calafate where they had an excursion walking on the massive glacier leading into Lago Argentino. Josh’s images illustrated the wonderful blue colours of the ice sheet.
From El Calafate right  they travelled on to Ushuaia, on the Beagle Channel, where they embarked on a small ship carrying 100 passengers bound for the Falkland Islands. At West Point Island the party boarded Zodiacs, not for the last time, and headed for shore. Despite Josh’s claim that he rarely takes wildlife images, we saw some great shots of albatross, fur seals, rockhopper penguins, and even some turkey vultures sitting on the roof of a farmstead that had been built in 1879. At Blanco Bay, Port Stanley Josh told us that there was still evidence of the 1982 war and that mine clearing was still going on. He also showed us some great images of the Lady Elizabeth, an iron barque that was badly damaged rounding Cape Horn in 1912. She limped on to the Falkland Islands but hit a rock and limped into Port Stanley where she was eventually declared a wreck in 1913. In 1936 her mooring lines broke and she drifted into Whalebone Cove in Stanley Harbour, where she still lies.
JC penguinsAfter 2 further days at sea, and crossing the Antarctic Divergence, when the sea and air temperature dropped dramatically, the ship arrived at South Georgia where the group visited 10 separate locations. Josh told us that the whole party were subjected to very rigorous bio-security checks before and after landing on the island. Josh was mortified when a seed was detected on a piece of velcro among his camera kit, but, after cleaning it away, he was allowed to accompany the party!
At Stromness Bay, the destination for Ernest Shackleton’s rescue journey, the old whaling station has been converted into a repair shop. He also showed us images of the surrounding 3000m mountains which Shackleton had to walk over to reach the whaling station, including shots of mountain streams and the views of the bay taken as the party walked over to Jason Harbour in the next bay. Here they all went kayaking amongst the fur seals and Josh found it very challenging trying to take photographs without capsizing. He took images at the largest King Penguin colony in the world at St Andrews Bay and managed a few shots of the surrounding mountains glimpsed through the clouds.
At Grytviken, the largest whaling station on South Georgia, Josh found loads of photo opportunities among the industrial remains and ruined boats. They also visited the South Georgia Museum and Sir Ernest Shackleton’s grave.
JC kayakThe last stop on South Georgia was Cooper Bay, where they started to see icebergs and where Josh took a series of images of macaroni penguins and fur seals. Josh seemed frustrated that he was unable to take more images of the wonderful landscapes, but he was obviously hampered by low clouds or the movement of the ship. But he did show us a lovely panoramic shot of a headland which he had taken as 5 vertical hand-held shots stitched together in Lightroom.
Josh told us of the Citizen Science project that they became part of on board the ship. Observations and photos of weather and wildlife were sent off for logging, tracking and comparison with other reported sitings. When an animal that had been logged by the group was reported elsewhere, they would receive a notification so that they could see where the animal had moved to.
The next destination was Elephant Island, just off the Antarctic Peninsular, where Shackleton’s team spent 4 months waiting to be rescued. The landscape amounted to massive sheer cliffs and glaciers, but Josh showed us images from their travels down the peninsular of humpback whales, leopard seals, Weddel seals, chinstrap penguins and orca. There were pictures of huge, tower block sized icebergs with amazing shapes and colours, capsized icebergs with even more amazing shapes gouged by the water, a moonrise over the South Shetland Islands, and kayaking in the brash ice to get nearer the icebergs and whales. To finish this sequence Josh showed us a video taken in a kayak as whales swam and surfaced around them.
In conclusion, Josh said that the trip had been challenging photographically as he was constantly taken out of his comfort zone. He loved the landscapes in Patagonia, he has become more enthusiastic about wildlife photography, and he thought Antarctica was amazing and such a different pace. And in answer to his original question “What f-stop in Antarctica?” he said “start with f/8 and adjust according to the conditions”.
Steve, our chairman, heartily thanked Josh for a wonderful evening with some fantastic images, saying Antarctica is a place he would like to go to in the fullness of time.The Zoom audience agreed and applauded. DF
Images © Josh Cooper

The Sea and Me’ 21 April 2020   

In a first for Devizes Camera Club, on Tuesday 21st April we used the Cloud Meetings App, Zoom!, to host Roger Crocombe ARPS and his presentation entitled 'The Sea and Me' as the Coronavirus lockdown prevents us all from travelling.
RC 1By way of introduction, Roger explained that he had grown up in Worthing and used to love wandering along the shoreline, beach-combing and enjoying the waves. In recent years, he has moved back to the seaside and has settled in Bognor Regis some 50 yards from the beach. Although he does research the tides, mentioning apps that he uses, he can hear what the state of the tide is from his house and can be on the beach within 2 minutes of leaving his front door!
Roger often carries his Fujifilm XT2 with an 18-135 mm lens and an ND filter (about 6 stops) and takes hand held images using ICM (Intentional Camera Movement). Using shutter speeds in the range of 0.5 to 2 seconds, he said his aim was to highlight the different ranges of colours he sees on different days, but to blur details of the detritus on the beach, such as seaweed, footprints and irregular stones. Carefully moving his camera in horizontal sweeps of 15-30 degrees, he follows waves to ensure there is lots of movement while retaining some detail in the image. He emphasised that this technique only really works well before dawn, as once the sun is up it is too bright for the slow shutter speeds he uses.
Roger also carries a Canon 5DS which he tends to use for more traditional images using a tripod. Still using slow shutter speeds, he showed us images of spring tides with the water rushing and swirling around obstacles such as groynes and storm outlets on the coast near his home. He also showed some macro images of rusty bolts and teak posts worn away by the power of the sea.
RC 2He showed a range of images of stormy skies over the sea, including a series he took at Luskentyre Beach on Harris and Trebarwith Strand in Cornwall. There was one sequence of storm clouds gathering over Bognor Regis beach that didn’t bring any rain. It turned out that this was the remnants of a Sahara dust storm which left surfaces covered in orange dust.
He showed how backwash can produce interesting pictorial shapes. For example, waves receding around rocks on the tideline or water swirling in a depression in rocks as it returns to the sea. He likes photographing crashing waves, but as there are no rocks near his home, he showed us images form Hartland Key and Trebarwith.
However, following a presentation from Rachel Talibart at his photography club, he headed off to Newhaven to take images of waves there. What you need, he said, is a spring tide, a westerly force 8 gale, a rising tide and (preferably) some sunshine! Using a 400mm lens on TV at about 1250th sec at between 2 hours and half an hour before high tide, you will shoot some awesome crashing waves on the harbour wall.
Following some lovely images taken at dusk, showing the sun variously reflecting off wet sand, rocks and the underside of clouds, Roger moved on to what he called Imagined Landscapes. Heading off to Chichester harbour when boats are hauled of the water for cleaning, he takes close-up photos of sections of the weathered hulls, especially at the water line. He then takes these home and uses the colour mixer in Photoshop, and a large dose of imagination, to create images that can be interpreted as landscapes and seascapes. He has also started using his wife’s silk scarves hung on a washing line to achieve similar effects.
The last part of his presentation, which he called Displaced Landscapes, was much more technical (at least to your scribe!). Using Filter>Distort>Displace in Photoshop, he takes pixels from one image to displace pixels in another image. Well, anyway, the results were fascinating and looked very much like impressionist paintings.
This was a thoroughly enjoyable evening, even in lockdown. Our chairman, Steve, thanked him profusely and we look forward to seeing Roger again next year, when he has promised to bring a range of prints along to the club. DF
Images © Roger Crocombe

AV Competition & Outdoor Photography under Lockdown 14 April   

Again the club was able to have a ‘virtual meeting’ to show the sequences entered in the club Audio-Visual competition. Postponed from earlier members were able to view and hear the comments of the judge Tony Byram ARPS DPAGB APAGB. RH desertThere were just 4 entries and the judge said they all came under the category of ‘Photo Harmony’ meaning that they had no storyline but the still images linked to sound must flow in a pleasing progression.
The first sequence was ‘Barcelona’ by Chris Wilkes Ciudad ARPS and as the titled suggests it showed the distinctive architecture of the city. The judge thought the individual images were good but there were some distracting fades and split screens.
Next came ‘Namib’ by Robert Harvey ARPS EFIAP which showed classic views of the dunes together with the wildlife found in the desert.
RH sidewinderOf particular note was the clever sequence where the sidewinder adder emerged from the sand left
The judge was very impressed with the quality of the images and the whole AV was expertly put together.
Another AV from Chris was next – this time showing images taken in the Lake District.
The judge said that the mono images fading to colour worked well.
Finally, we viewed a sequence by David Wilkinson titled ‘Wildlife through the Seasons.’
Starting with sound of birdsong it showed excellent still images but the judge said it was let down by the construction but very well done to David as it was probably the first time he had attempted to make an AV.

The award of the AV trophy went to Robert for ‘Namib’ so many congratulations on the superb AV sequence.

After a short break members were treated to a constructive presentation by Robert about what photographers can do under the current rules due to the Coronavirus pandemic.
‘Let’s celebrate what we can still do’ said Robert. We can still take photographs from our homes and gardens and on our permitted exercise walk.
Robert said there might be a restricted range of subjects for us to photograph at the moment but we have more time to study them and take the opportunity to persevere and try again and again to get better images. There is an incentive to try something new such as macro or astrophotography.
Maybe on your walk take time to explore the area close to your home – look for country lanes and nearby woods. Find joy in small things!

RH bee flyRH woodsStarting with garden photography Robert showed his impressive garden where over the years has been planted with native trees and hedges to attract the wildlife. With two wildlife ponds and a hide made from a garden shed Robert can photograph wildlife at eye level due to the ingenious raised bank and reflective pool. With wildflowers and garden plants attracting a wide range of insects and bird feeders bringing the birds in close there is always something to photograph.
There are so many interesting subjects to be found in any garden even all you have is just an average size suburban garden!
Robert has started a facebook group ‘Outdoor Photography under Lockdown’ and there are many contributors from all over the country showing the diverse range of subjects on members doorsteps.

Steve Hardman thanked Robert for putting his interesting presentation together at short notice and for showing the various ways he has planned ahead to make the most of his garden and its wildlife.

Thanks to all who made it such an enjoyable evening and it’s so good to see fellow members even if it has to be remotely!
Keep safe and enjoy your photography. PM
Images © Robert Harvey ARPS EFIAP

Open PI Competition 3 - results 7 April 2020   

The Open PI Completion 3 turned out to be a new experience as because of the lockdown it had to be judged remotely but due to the wizardry of the internet members could view the images and hear the judges comments from their own homes.

DE StormThe experience was new to the competition secretary, the judge and the club members but all went well and we were able to continue with the programme of club competitions.
This rather different way of ‘meeting’ using ‘Zoom’ meant that the competition could be run and judged by Peter Weaver APAGB DPAGB LRPS almost as if we were meeting as usual on a Tuesday evening!
About 35 members logged in and followed the competition. Peter remarked on the high standard of images and said that some in the Beginners section rivalled those in the Advanced. Each image was shown and Peter gave his useful comments on each holding back some images for the awards at the end of each section.
DW Red SquirelFirst place in the Beginners section was awarded to David Evans for his image ‘Storm Dennis, Porthcawl’. Taken at a favourite place for photographers to catch the drama of the sea as waves break over the jetty and lighthouse the judge said that the image was dramatic and taken at just the right moment. A completely different image was in second place ‘Glencoe’ by Hilary Tapley was a tranquil scene with good lighting. The judge said the depth of field was correct and the strong leading line gave it a good composition. Completely different again was ‘Sometimes being a Mother…’ by Penny Clarke - a delightful portrait of a baboon mother and baby which was awarded third place. Hilary, Dave Eagle and Richard Blackbourne were awarded highly commended.

Next came the Intermediate section with another wildlife image in first place. David Wilkinson’s ‘Red Squirrel’ right appealed TT Nuthatch to the judge – the image quality was excellent and the squirrel well placed in the frame. An image by Craig Purvis was second – ‘Red Cracking Bolete’ was the title of a fungi image with the judge remarking on the water droplets and the lighting. Third was an atmospheric image by Martin Stokes. ‘St Lawrence Church’ was taken from a good viewpoint with a canal narrow boat in the foreground and the church almost hidden in the mist. Images by David, Craig and Steve Hardman were awarded highly commended.

Next we had a 10-minute break before the Advanced section began. Peter said that the standard was very high and he had difficulty deciding on the awards but finally he decided on another wildlife image this time a bird by Tim Tapley titled ‘Nuthatch’. The judge said it was a high quality image well taken. In second place was ‘Common Darters in Tandem’ by Robert Harvey ARPS EFIAP with the judge remarking that it was a very difficult shot to get. Still sticking with wildlife ‘African Land Snail’ by Gill Cardy FRPS DGAGB EFIAP was in third place. Robert, Dave Gray and Frank Collins gained highly commended. Full results below.
Very many thanks to the Competition Secretary Dave Eagle and other club members for setting it all up and to Peter Weaver the judge for judging in such an unusual way. It was good to get glimpses of fellow members even if we can’t see them in person at the moment!

Club Chairman Steve Hardman summed up the evening saying it had been very successful with a few things to still to learn and he much appreciated those that made the evening possible.
Steve wished the judge a safe journey home as he usually does but in this case Peter was already back at home!
Next week is another ‘virtual’ meeting for members to enjoy. Keep up your photography keeping to the lockdown rules and stay safe. PM
Full results                See the awarded images in the Gallery

Quad Battle Results 17th March 2020   

RH rabbitIn recent years, one of the fixtures in our calendar has been a Four-Way, or Quad, Battle between ourselves, Swindon, Royal Wootton Bassett and Stratton (formerly Highworth) Camera Clubs. This year, it fell to RWB to organise and host.
Each of the clubs submitted 15 of their best images, which were sent off to the judge to mark and prepare comments. However, at this point, Coronavirus intervened, and the Battle as a live event had to be cancelled.

DW red squirrelNevertheless the judge did send out the marks for each entry, though sadly not with any commentary setting out the reasoning. The overall scores placed Devizes in 2nd place as follows:
Swindon Photographic Society – 259 points
Devizes Camera Club – 252 points
RWB Camera Club – 239 points
Stratton Camera Club – 207 points

Congratulations to Swindon on their success.
Within our own entry, congratulations go to Robert Harvey for ‘A Rabbit Before Me’ right
and David Wilkinson for ‘Red Squirrel’ left, both scoring a maximum 20 points.
Robert and David also had images scoring 19 points so well done to them.
There were only 2 other images scoring maximum points on the night. DG

   List of Devizes CC scores       


Creative Competition 2020
PM blueThe Creative competition seems to have been fated this year as first of all the judge had to be replaced at short notice then the second judge appointed had to self-isolate after returning from Italy so the meeting was cancelled. The images were then sent together with the Competition 2 prints to a third judge and that meeting was cancelled as were all the other meetings.

Kindly the judge Beryl Heaton ARPS, EFIAP, CPAGB has sent her comments and given the awards.

PM nestSadly there were only 9 entries so where was everyone? Images taken after the popular demonstration of ‘Light Painting’ could have been entered. Members have had a go at creative camera movement and other techniques so these could have been entered. A lot of images taken in camera at our portrait evenings would have met the criteria for ‘Creative’. 
The trophy was presented to the club in 2011 to encourage more creative images which are so popular with many clubs and are often the winners in the National & International competitions. Maybe next year members might find a bit more creativity!!
The 9 creative images and the judges comments will be shown below.

Anyway we have the results – in first place was ‘Bolt from the Blue’ by Pam Mullings. The judge liked the scared look on the models face, the hair standing on end and the way the lightning streamed down.
In second place was ‘Nesting Time’ by Pam Mullings – described by the judge as a fun image. She said that she enjoyed the model’s expression with the eyes looking up in the direction of the ‘hat’ and the pigeon. The hat has been expertly constructed to resemble a nest. 
The judge commented that she didn’t normally pick out images in the same genre for awards like this but felt that these two portraits were first class.
In third place was ‘Knock Knock’ by David Eagle. The judge said it was a nice idea with well-chosen elements showing all types of doors from modern to old fashioned with different colours. The woodpecker using the knocker is fantastic.
DE knockOther entries featured an amusing lemur an ‘ebulb’ and Avebury in Wonderland!
Well done everyone who entered and at least had a go!

A very special thanks to the judge for sending her comments.

Thanks to the competition secretaries who have had so much to do sorting out these cancelled meetings and changes of judges.
The results of the Audio Visual competition which was also changed should be with us after the next competition.
Keep smiling and maybe try a bit of creativity if you have some spare time on your hands! PM

All the entries and the judges comments       Awarded Image Gallery


Open Print Competition 2 - results

At this unprecedented time the competition print entries were with the judge but unfortunately our meetings are cancelled. Very kindly the judge Beryl Heaton ARPS, EFIAP, CPAGB agreed to judge the competition and send us notes on each image and give us the awards.
Beryl sent the following message - 'Thank you for inviting me to judge your competition. I have judged at your club once before and I hope to have the opportunity to do so again. I have enjoyed looking at the images. I was particularly impressed by the fact that you have three sections. A lot of clubs strive to do this but are thwarted by lack of numbers. Furthermore, I was impressed by the high standard of work in the Beginners.'
BC Solstice
Sadly, there were fewer than usual entries in this print competition – maybe because it is getting near the end of the season or that members are not printing their images as much as they did in the past. This is a great pity as it is a great joy to see a well printed and mounted image.
Anyway the following write up has to be taken from the judges notes. So that members can see all the images entered and the full judges notes they will be added below.

In the Beginners section first place went to ‘Dawn Breaking, Winter Solstice’ right by Bridget Codrington. The judge enjoyed the dramatic with very clear silhouettes of all the dramatic with very clear silhouettes of all the observers and the symmetry. She said it was a ‘wow’ sort of sky with colours ranging from pale yellow to navy blue.
In second place was ‘Bird Box No 7’ by Dave Eagle with the judge commenting ‘What an inventive title!’ Beryl said she enjoyed the atmosphere of the woodland, the mistiness and the image was nice and sharp.
The viewpoint and interesting angles of ’Stairwell’ by Helena Chambers appealed to the judge and was placed third. It works well in monochrome and the square format suits the image.A colourful image ‘Southern Carmine Bee Eater’ by Tony Leach was awarded an HC.

CP SteepleIn the Intermediate section ‘Steeple in the Mist’ left by Craig Purvis was awarded first place. The judge said that the mist gives the lower part an air of mystery and at the top we have reality with a lovely coloured sky and trees silhouetted on the hill. The composition works well as we have interest from top to bottom and across the width of the image.
‘Morning Calm Coniston’ by Steve Hardman was awarded 2nd place in this section. The jetty leads us into the image across the lake and the frost on the jetty and on the top of the posts enhances the scene. Due to the calm water we have a lovely clear reflection and the sky is adding interest. 
A charming image of the fox which looks very alert with its ears up is titled ‘Fox on the Alert’ and is by David Wilkinson. The judge awarded it 3rd place saying that the pose works well as the fox stands out against the diffused background of a sympathetic colour.
PM cameliasHighly commended’s were awarded to Craig Purvis and Martin Stokes.

In the Advanced section there were just 11 entries.

First place went to ‘Camelias’ by Pam Mullings. The judge liked the composition with flowers on the diagonal. She wrote - they are lovely and sharp and the grainy background adds to the effect as does the unusual way the photographer has framed the image. She said that she always has a border around hers but this is something a bit different and it really works
‘Desert in Bloom Wadi Rum’ - captured this scene well at the right time of day to give interesting shadows. Beryl commented that it is amazing that the flowers can survive in this barren landscape and in such large numbers.Robert Harvey ARPS EFIAP was awarded 2nd and 3rd places – ‘First Light in Deadviei’ – was rather different, concentrating on one tree which the judge liked. It was quite minimalistic with some lovely lighting on the branches and nothing in the background to distract.
‘Dancing’ by Chris Wilkes Ciudad was awarded an HC the judge stated that the photographer is attempting to give us a feeling of movement and thought the colours were delightful.

Very well done everyone and a special thank you to the judge for sending us the useful notes as we were unable to have the usual meeting. Thanks to the Competition Secretaries who sorted the entries and arranged for the club to get the results.

All the very best to everyone – keep safe. PM
Results        Awarded Images    Beginners Images& Judges notes       Intermediate Images           Advanced Images

No meetings for the rest of the Season

The Committee has been following developments on the Coronavirus outbreak, and has now reluctantly concluded that we must cancel our meetings for the rest of the season with immediate effect.
We have a number of members in ‘at risk’ categories, and there is also a strong possibility of our speakers and judges having to self-isolate at short notice. It seems only a matter of time before the Government recommends all social interaction is kept to an absolute minimum, and several Camera Clubs across the Western Counties have already suspended their programmes.

Our competition secretary team are looking at possible ways we can continue with the remaining competitions using remote judging. We will keep you informed about progress on these, but please submit your entries for the Open Projected Image 3 competition by Tuesday 24th March as currently scheduled.

'iPhone Photography' 10 March 2020   
BH viewOn Tuesday this week Bob Holman travelled over from Marlborough Photography to present a talk on iPhone Photography. A committed Apple user, Bob said he rarely goes out on photo shoots, preferring to take photos as they arise and sticks to the principle that “the best camera is the one that’s with you!” Saying that he aimed to change our perception of iPhone photography, Bob started by showing a series of well composed images taken using the Apple camera on his phone.

Bob gave us a few tips on using the camera, such as how to access the camera quickly, that the volume button will act as a shutter button, and that keeping your finger pressed on the button will take images in burst mode for as long as you hold it there. BH portraitHe also pointed out that bluetooth gadgets such as a key ring or the volume button on ear buds, will also act as a shutter button for more discrete shooting. He emphasised the importance of touching the subject on your screen to ensure that it is in focus, and that a long hold will lock the focus and exposure for you.

Bob ran through the app’s icons on the screen, giving a detailed account of the various facilities available, but not necessarily well known. For example, when taking images in Portrait mode, the camera will detect faces, allow you to change the lighting and the aperture for the shot. Furthermore, all these settings can be changed after the shot using Edit! He also demonstrated how to use Panorama mode both horizontally and vertically.

After the break, Bob showed us some of his images of animals, relating how he had taped his camera to a window and used his bluetooth key ring as a remote shutter release to take a load of images of a blue tit which kept landing in his hedge!
BH deerAnother technique he uses is to walk towards the subject with his finger on the shutter, thus using burst mode, until the animal moves away.

Finally, Bob introduced us to the Lightroom mobile app through which images can be shot in RAW. Again, he ran through the various options and icons to show us what can be achieved. He concentrated on Professional mode to show just how much control one can have over the images taken with his phone.

It was a fascinating talk during which many of the audience had their phones out trying everything he demonstrated.
Our Chairman thanked Bob for an enlightening evening, adding that he felt he was now going to have to buy a new phone to access all the facilities!  DF
Images © Bob Holman

'That's Not a Landscape Photograph!' 3 March 2020   
HA3The club was treated to an excellent presentation by Shaftsbury photographer Huw Alban. Huw was used to photographing Formula 1 events capturing high speed racing cars but has now turned his photographic interests to capturing landscapes in a variety of forms. Some images are what most photographers regard as a typical landscapes but in others Huw sets out to capture the atmosphere that he felt at the time – perhaps it was very wet and windy or very still and calm.
Sometimes Huw uses Creative Camera Movement to create an image he feels captures the feeling he had when taking the image. He suggests looking back at your images and recalling why you took the image and what was the feeling that you tried to capture.
HA4In order to get an image that conveys feeling of a damp still day Huw even uses a pinhole camera to give that soft, dreamy impressionistic image.  Simplify the composition to only include what interests you. Be patient and wait for the right moment.
‘Rules’ of composition help when you start out in photography but if everyone follows the ‘rules’ there is no self-expression. In time a personal style is develops and a photographer’s images become instantly recognisable. Look for something different rather than the flock to well-known photogenic scenes – look for a different view.
If you break the ‘rules’ then know how or why. Take photographs to please yourself and don’t allow the opinions of other to stifle your interpretation.
Looking through his favourite images Huw found that he was drawn to straight lines and they continue to feature in many of his images.

HA7Huw showed club members some views of Minnis Bay, Kent and no one present thought it looked an inspiring place to photograph but then he went on to show why after taking time to explore it has become one of his favourite destinations. He showed imaginative images of the breakwaters, jetties, decaying wood groynes and even making a striking image of the rusty sea defences!
Another favourite destination visited time and time again is Cumbria with its lakes and Castlerigg stone circle.

Huw advises - plan in advance by researching the area using maps, check on the expected weather conditions and the position of the sun but also be prepared to keep an open mind and be responsive to the situation that you find. Plans can go awry, so take any opportunity that arises and be open to new ideas. Images can be taken at any time of day or in any conditions.
Huw advocates keeping photographic equipment simple – the latest expensive camera and gismo’s do not give necessarily get you better images! He finds that an Olympus mirrorless four thirds camera with top quality zoom lenses (12-100 and 40-150) cover all his photographic situations. The camera is lightweight and the 20 megapixels adequate for up to A2 printing and the zoom lenses allow precise framing. Although Huw almost always uses a tripod so that he can set up his image precisely but, when the occasion calls for it, the cameras good image stabilisation allows it to be handheld.
Huw holds group and 1 to 1 workshops for those who would like to learn more about landscape photography.
Steve Hardman thanked Huw for his very entertaining, informative, thought and action provoking presentation. PM

Images © Huw Alban. Images of Minnis Bay, Kent  See website for more information on Photographic workshops, equipment etc.

'It Rained in Namibia’ 18 February 2020   
SP cheetahIn this weeks club meeting we were treated to a wonderful presentation by Simon Palmer entitled ' It rained in Namibia' when he showed us his images of the dramatic landscape of the country and its wildlife.
Simon is a highly regarded and award winning photographer who has developed a passion for conservation and works closely with a number of charities in Namibia, in particular The Africat Foundation which is committed to the long-term conservation and survival of Namibia's large carnivores in their natural habitat.

SP treesSimon's interesting, heart-felt and often amusing talk about the conservation work was illustrated by his wonderful photographs. We saw dramatic images of the landscape where the animals live including the brightly coloured sand dunes in the south of the country which provide such a contrasting back drop to the fascinating natural architecture of the jet black and dried out Acacia trees, which are between 8 and 900 years old. Abandoned vintage cars in the sun baked landscape, wonderful sunsets with silhouettes of Quiver trees and portraits of the indigenous people all feature in his photographs, many of which have been enhanced by his creative skills with colour popping, smoky filters, monochrome and image enhancing borders.

SP lionBut it is the wildlife which really ignites his passion and we saw beautiful images of Cheetahs and Lions basking in the golden African light, a charming baby Zebra in monochrome with a hint of sepia and some fascinating images of a lion under sedation receiving treatment for an ingrowing toe nail! Simon explained at length about the work the charity does and how they work tirelessly to resolve human/wildlife conflict which when successful allows both to live in harmony in such a challenging environment, where it often only rains once ever 3-4 years.

All in all, a most informative, thought provoking and enjoyable evening and we wish Simon and all his colleagues at the charity continued success in helping to save such wonderful animals whose numbers are becoming alarmingly low. Raising money through the sale of this photographs and him donating his time is a remarkably selfless way too support such great work. KS

Images ©  Simon Palmer

DPIC, Warminster & GB Cup Battles  
February is the month of interclub battles, though 2020 has not been particularly fruitful for Devizes Camera Club.
DPIC (Digital Projected Image Competition) saw entries from 56 clubs across the Western Counties Federation, in which Devizes came a reasonable 14th=, though we have done better.  Results of the competition had to be recalculated after it emerged that the initial winner, Bristol Camera Club, had included 2 ineligible images in their entry.  Further scrutiny showed that no less than 11 images had been entered into previous DPIC competitions, and points which had been awarded were annulled.  Congratulations go to joint winners Dorchester and Frome Wessex.
More locally, the Warminster Multi-Club Print Battle consisted of entries from 7 clubs, with Devizes coming a disappointing 6th with 176 points, although only 3 more points would have lifted us to 2nd=.  Congratulations again go to winners on the day Frome Wessex.
Finally, we have the GB Cup, which is judged behind closed doors as the entries are drawn from the whole of the UK.  In this, Devizes finished a disappointing 65th out of 71 in the Open Section, and 61st= out of 86 in the Nature Section, although in the latter, Tim Tapley’s image ‘Water Boatman’ was accepted for inclusion in the slideshow of ‘best images’ of the competition.  Congratulations to Tim on this achievement.
It looks like it’s back to the drawing board for our selection committee, to try to fathom out what judges are looking for in multi-club competitions such as these.  Many of the successful images were post-processed to a greater degree than we are used to, although not many were ‘Creative’ montages made up of several images, and clearly we have ground to make up in the traditional GB Cup Nature competition.  
Thanks to all of our members whose work made up our entry for these competitions.  Dave Gray- DCC Battle Secretary
Full results
Some of the images that did well in the Battles were 'Getting to the Point' by David Eagles, 'Water Boatman' by Tim Tapley, 'Close Knit Band of Brothers' by Dave Gray & 'Osprey Bringing Nest Material' by Gill Cardy.
DE point  TT Water Boatman DG brothersGC Osprey
Members' Speed Critique 11-February 2020   
speed critiqueThis weeks club meeting saw the annual Speed Critique evening where 8 fairly new members to the club were 'invited' to present 10 or 12 images to small groups of other club members who would provide a useful critique. As a true novice and beginner this was really quite a daunting prospect but the invitation was made so politely it was almost impossible to decline! Besides, I thought he said Speed Dating which would have been a very different evening altogether! 
Having searched through many photographs and said 'right that is the final list' about 10 times, I finally decided on a dozen, representing a range of topics including landscapes and wildlife and took my place at one of the 4 tables set up for the evening.  In the first half, with 10 minutes allowed at each table, my fellow victims, sorry, participants were Bridget Codrington, Mark Somerville and KS 1Gerald Clarke.

Bridget presented a range of images including wildlife, landscapes, interesting skies and even an award winning photo showing the effect of deliberate camera movement. Mark's images included motorbikes and aircraft, mainly in monochrome and cleverly capturing movement. Gerald presented some wonderful shots of African Wildlife which were very interesting indeed.

The second half saw Dave Dowding present a range of photos from a steam fair featuring engines and various characters at the event and Megan Boardman showing her lovely photos of wildlife and others from a day in London watching the trooping of the colour.
KS 2Jennifer Skjoldbro again gave us a varied range of subjects including monochrome shots of buildings, wildlife and my personal favourite, a rabbit, mid leap, with a leaf in its mouth!.

Finally, Peter Tasker showed us a selection of shots of mist over a valley and cunningly decided to use the time to ask Dave Gray how he might improve them in Lightroom. Dave very helpfully obliged and Peter was proud of his success at the art of delegation!. I thought, darn, why didn't I think of that!

Having survived the ordeal my fellow participants agreed that over all it had been a very useful process, from which we can all learn something. It was interesting  to see such a range of subjects presented and we were relieved that the critics had been gentle and constructive, for which we were all very grateful - thank you!  Kate Stephens
Images: Kate, Peter and Jennifer discussing their images with members

Landscape Print & PI Competitions 4 February 2020   
CW Snowden SunsetThe Annual Landscape Competitions attracted a large entry and John Tilsley ARPS APAGB DPAGB said that he had great difficulty judging them.
John is a very experienced photographer himself and explained that judging was subjective and each judge has to make decisions on which images are given the awards. Everyone responds to images in different ways and he personally wants to feel the emotion in the image. After looking at the images John felt he had been on a fabulous tour of the British Isles and with so many splendid images entered he found it very difficult to choose the winners.
CW Cherhill DownThere were many entries taken on the Landscape Groups visits to various areas – Northumberland cropped up many times with Dunstanburgh Castle featured in many entries. Other popular locations were Snowdonia, the Lakes and the north Cornish coast.

Starting with the 26 print entries John gave helpful comments on each image pointing out the good points and also where he felt the photographer might have improved the image – sometimes by choosing a better viewpoint when taking the image or by cropping in post-production.
Many prints were held back for further consideration and then John finally chose the winners.
DE BrokenA print titled ‘Snowden Sunset’ top right by Chris Wilkes-Ciudad ARPS appealed to the judge for its simplicity – the mountains were silhouettes with just a glimpse of the sun’s golden rays. John said ‘wow, a magic moment’ and awarded the print first place.
In second place was ‘Cherhill Down’ top left another print by Chris. 
CW SkyeA more local subject this time in monochrome which John said had a wonderful light on the cloud and mist.
John described ‘Broken’ by David Eagle right as an intimate landscape with a moody atmosphere and gave it third place. Six other prints were awarded Highly Commended. All the prints were displayed for members to be able to get a close look.

After the break the judge commented on each of the large number of projected images entered. John said again that there were so many wonderful images that he found it difficult to choose a winner.
By chance a monochrome image also by Chris Wilkes-Ciudad was chosen as his favourite to win the second trophy of the evening.
John said he must be on the same wavelength as Chris as he liked the same simple but dramatic style. The title of the image was ‘Sligachan, Skye’ left with its well-toned landscape and moody sky.

The Landscape Competitions include entries from all 3 sections of the club and in the Beginners section and a newcomer to the club Jennifer Skjoldbro was awarded both the second and third places. Very well done to Jennifer who was entering her very first club competition.
JS BeachA subtly simple image titled ‘Beauty and the Beach' right  was praised by the judge who particularly liked the wonderful reflections on the wet sand.
JS Mist‘Mist in the Vale’ left was the image by Jennifer which gained her third place and was a scene which the judge said perfectly captured the Wiltshire landscape. Thirteen projected images were awarded HC’s out of the large entry.

Many congratulations to Chris Wilkes-Ciudad who was presented with both the Silver Birches Trophy for the best landscape print and the Derrick Turner Memorial Trophy for the best Projected Image.
The judge was thanked warmly for his helpful comments and for choosing the winning images by chairman Steve Hardman.
Thanks to the 3 competition secretaries who between them organised the entries.

See all the results                  All the awarded images can be seen the Galleries

Landscape Group Trip to the Purbeck Coast 1 February 2020   
The Landscape Group’s latest trip saw 11 members and friends go to Purbeck for some winter coastal landscapes.  The Dorset coast benefits from being photographed in the winter, for that is the time of year when the sun both rises and sets over the sea, giving low angled light illuminating the many interesting coastal features.
DG old harry rocks 
The forecast for dawn was for cloud and possibly rain, so a leisurely start was made from Studland at 10am.  The sun was now shining strongly as the group headed up the South West Coast Path to photograph the chalk stacks of Old Harry Rocks and adjacent cliffs of Handfast Point.  Brilliant white chalk gleaming in the sunshine is not the easiest subject to expose correctly, but careful bracketing and merging as an HDR (High Dynamic Range) image on the computer greatly ease the task nowadays.  The group spent well over an hour at this location, probably enjoying the winter sunshine as much as the photography, but eventually hunger called and we returned to Studland. 
DG worbarrow bay 
Those who had brought packed lunches then headed over the Purbeck hills to Worbarrow Bay, a dramatic bay contained within the Lulworth Army ranges and so untouched by hotels, restaurants and other typical seaside facilities.  The others, perhaps with hunger calling more strongly, sought out Fish and Chips in Swanage.

At Worbarrow Bay, the main target involved a 200m trudge over the pebble beach, to reach an area of red, orange and yellow rocks, their colours enhanced by the low angled sunlight.  These are Wealdan Sandstone formations which are perhaps more usually associated with Alum Bay on the Isle of Wight.  The sea was also putting on a good show of spray in the stiff South Westerly breeze, challenging our photographers to ‘catch the moment’.  Meanwhile, some of the Swanage Fish and Chips group had decided to go to Kimmeridge Bay instead, to photograph the angular ledges leading out to sea in a falling tide. 
Both groups had hoped for a good sunset, but persistent haze out to sea meant that the sun was obscured long before it actually set.   It had however been a wonderful day to photograph interesting features, and to banish the memory of so many dull and wet winter days. DG
Images: Old Harry Rocks & Sandstone Formations at Worbarrow Bay by Dave Gray

Studio Portrait Evening 28 January 2020   
KyraThere was a very good turn-out of enthusiastic club members for the portrait session organised by Kyra Wilson.
Three sets of lights and backgrounds were expertly set out in the hall and Kyra and two other re-enactors came with their colourful costumes and patiently posed as club members photographed them from all angles.

model2Members could take photographs of the three models and ask them to take up a variety of poses
The models brought along various props – Kyra set herself up making lace (right) and the two men brought along guns, swords and a drum to help set the scenes for the photographers.

There was much discussion amongst members as they took their photos about which camera settings worked best and whether to use flash or not.  
Members very much enjoyed the evening and for many it was a new experience and a chance to try something different.

There were some very good images as a result and many of those can be seen on the club facebook for members to compare.

Many thanks to Kyra for arranging the practical session, David Eagles who brought along his equipment and to all those who helped set up and take it all down again.
Many thanks to the models who posed so patiently during the evening. PM

Some photos of club members taking their photos and discussing the results.

Landscape Group visit to Northumberland  
This year’s Landscape Group weekend trip saw 12 members and partners travel to Northumberland to photograph iconic coastal and moorland locations.  We are very pleased to say that the ladies outnumbered the gents on this occasion, and also that three of the party have only joined the club in the last 12 months.  The story of the trip is best told through the eyes of Kate Stephens, one of our new members to both Landscape Group and Devizes Camera Club:
KS northumberland1 
“I joined the club in September 2019 as an inquisitive but amateur photographer and was delighted to learn after just a couple of weeks that the club was organising a trip to Northumberland to visit and photograph some of its most beautiful places. As it is a county I have long yearned to see i eagerly signed up and on the 10th January 2020 a number of us set off in the early hours with a rendezvous time of 6.00pm at the hotel in Alnwick. Some had travelled the previous day as the weather was set fair and indeed proved to be just right for almost every day.
After a very clear run accompanied in the first part by the setting beautiful full Wolf moon. we arrived in Northumberland at approximately 12.30 and keen to get started went to Druridge Bay for our first Northumberland photographic experience. Here we found an interesting snaking estuary making its way to the sea amongst gentle sand dunes with soft tones of blues and yellows. I for one felt like we had definitely arrived!. From here we went to Amble and found the wonderful photogenic features of a pier, a castle across the estuary, pastel coloured beach huts and a lighthouse! As the light started to fade we continued to Alnwick and met our fellow travelers as arranged.
KS northumberland2Day two was an early start in order to go to the magical and mystical Holy Island and Lindisfarne. A dry, cold and very windy day brought opportunities to photograph the castle as the sun rose although not on this occasion, with any particular colour. There was much to explore on the island and we all went our separate ways in order to discover all it had to offer. With water starting to be blown onto the causeway we shot back across with great haste at 12.30 and our little group of four continued to Whitely Bay to photograph the lighthouse on St Mary's Island. Here the conditions were just perfect with sunshine, lovely clouds, choppy seas and of course the wonderful lighthouse. We even managed to see a seal which really made an already fantastic day, almost perfect. Not content to rest on our laurels we then made the trip to Newcastle for sundown in order to photograph the illuminated Gateshead Millenium bridge. Although we had a little light drizzle it was definitely worth the trip.
KS northumberland3Day 3 saw the group up early again to photograph Bamburgh Castle at sunrise. Although a beautiful location the bright colours of dawn did not appear but everyone certainly saw the potential of this hugely photogenic location. I joined the group at 10.30am to make the trip to Housesteads in order to walk approximately 2.5 miles along Hadrians Wall to Steel Rigg, taking in Housesteads Crags and the Sycamore Gap, both very beautiful locations. The walk was challenging as it was very cold but the scenery was outstanding and it was so pleasurable taking turns to walk with different members of the group and chat about all manner of things and sometimes pause to take photographs together. Arriving at Sycamore gap just before sunset the idea was for the group to carry out some astro photography; the hope being that the stars and Milky Way might just make an appearance and provide an even more stunning backdrop to the famous tree. The cold beat about half the group and we made our way back but those who stayed and endured the plunging temperatures, were, eventually, treated to a starry sky which broke through the cloud cover. I very much look forward to seeing their photographs.
Day 4 and another early start in order to photograph Dunstanburgh Castle at sunrise. It was very cold and the intrepid amongst the group ventured out across very slippery boulders in the half light to reach an advantageous position. Those of us who didn't feel up to that found our own angles and greatly enjoyed the spectacular location. We then enjoyed the castle from the southern side as the sun came up and we walked along the coastal path to Craster. Craster was 'closed' so we returned to Alnwick and the wonderfully cosy location of Barter Books where we all enjoyed brunch next to the open fires. The afternoon was our own and we took the opportunity to photograph Alnwick Castle and then have a relaxing afternoon in our hotel rooms.
The final day saw us up early to return to either Bamburgh or Dunstanburgh Castles for the promised colourful sunrise and it did not let us down. The group of us that went to Bamburgh were treated to one of the most beautiful sunrises I have ever seen in the most stunning location. We all stood poised with our cameras and took repeated photographs until the 'show' was finished. I don't think it was possible to take a poor photo of this amazing occasion. Making tracks for home we stopped once more at Whitely Bay to cross the causeway to St Mary's and I was so pleased we did because we got the chance to photograph a colony of Atlantic seals which were languishing on the rocks behind the lighthouse. This brought to an end a hugely enjoyable, interesting, instructive  and fascinating trip to Northumberland. Thank you to all who planned it for us and guided us to so many beautiful locations and to the experienced members who were very amenable to sharing photography tips and I'm quite amazed and proud to say that 90% of my photographs were taken on manual!!” KS      Images by Kate Stephens

'From Psychologist to Photographic Artist' 21 January 2020    
And now for something completely different!
Kirsteen Titchener travelled up from Newton Abbot to present her story, entitled 'From Psychologist to Photographic Artist'.
She explained that she regards herself as an artist who uses KirsteenTitchener Autumnphotography as a medium to develop her work, and showed us a number of examples of composite images that she has produced over the years.

Having studied Psychology to PhD level, specialising in Audio Perception, she started using a camera while working in Australia. Having been to night school to learn how to use her camera, she soon found that she preferred working in a studio environment and started photographing friends’ dogs. She also started using Photoshop to tidy up images and began to experiment with developing composite images.

She read extensively and researched online for sources to improve her knowledge of Photoshop and her understanding of Art. Back in the UK, she attended a workshop in 2014 that changed her approach and set her on a road to discover a personal style. She illustrated her journey with several composite images, One showed a woman who appeared to be swimming inside a bottle of Gin. Another told her version of the Merlin and Vivien legend where Merlin becomes trapped in a tree.

Kirsteen shared a number of images from her two main projects to date - 'Missing' and 'Floral'.
In her Missing series she took a series of self-portraits, meticulously standing in the same studio position with the same lighting. She then removed herself, manipulated the clothing artistically and added in different paraphernalia, such as autumn leaves, sparkles or even animals.
Her latest project, Floral, concentrates on macro images of flowers which she gives a surreal interpretation blending other images of, for example, smoke or clouds.

Kirsteen has won many awards in competitions, principally with the Society of Photographers and her images have graced the covers of magazines, including the Royal Photographic Society’s Visual Art. Her presentation, which will enthuse those of us who are interested in progressing our creative photography, was warmly received by those present. DF

'Audiovisual Spectacular' 14 January 2020   
This evening’s presentation showcased the winning entries from the Western Counties Photographic Federation AV competition that was held on the 6th April 2019.
The WCPF competition was judged by Colin Harrison (FRPS: FIPF: FBPE: MFIAP: MPAGB: EFIAP/d1: MPSA: AWPF: APAGB) and hosted 37 entries from 13 different WCPF clubs from across the south west (Cornwall, Devon, Somerset, Dorset, Gloucester, Wiltshire).
The competition comprised of four sections :-
• The President’s Salver for the Best ‘Long’ Sequence (over four minutes)
• The Coote Challenge Cup for the Best ‘Short’ Sequence (less than four minutes)
• The Photo Harmony Trophy for the best ’Photo Harmony’ sequence.
• The Innovation Award for the most innovative entry

Our evening featured the Commended, Highly Commended, 3rd, 2nd and 1st place AVs for each section of the WCPF competition, with the President’s Salver section viewed first.
The opening AV ‘Why I gave up Slide Shows’, was a spoof of a Slide Show presentation where all the things that can go wrong with slides, did go wrong. This varied from slides with dust-spots, through slide jams, and popping slides. Judging from the laughter from the audience this brought back memories for some.
The longer AVs tended to have more of a story to them, and possibly as a consequence more voice-over narration, certainly the 1st placed ‘Fortescue Cup’ was of that ilk, with fewer pictures, but a very entertaining story.
After a break for teas and coffees we watched the remaining AVs. Possibly being shorter, these tended to be a little more dynamic, although still with a strong story element.
From the Coote Challenge Cup, the 1st placed ‘Shoes on the Danube’ although fairly simple from a photographic point of view, had a very poignant story line, and a well-deserved first place.
The next section ‘Photo Harmony’ concentrated less on the story element, and more on the blending of images in sequence, the Commended ‘Landscape Odyssey’ featured some very strong landscape images, that flowed very well through the sequence.
The winning entry in the ‘Photo Harmony’ section, ‘Yellowstone Winter’ blended so well, it was difficult to tell where the blends started and finished, and which was the actual image, very well done.
Finally, the ‘Innovation Award’ featured a very short AV, with some fairly odd images, prompting the comment from the judge “What the hell is going on here? “, it was a great AV to finish on, and certainly provided food for thought.
The Club’s AV competition is on the 25th February, with a cut-off date of the 11th February, so it will be interesting to see what the WCPF Audio-visuals have inspired.
If you feel sufficiently inspired to enter the WCPF AV competition for this year, it is to be held on Saturday 4th April 2020, 10:00 am, at Woodbury Village Hall, Flower Street, Woodbury, Devon Entry details  The Judges will be:- Clive Rathband FRPS FPSSA EFIAP and Joan Ryder Rathband FRPS FPSSA AFIAP. DE

'Beyond the Summit' 7 January 2020   
CP treesWhile welcoming members back after the Christmas break Steve Hardman was interrupted by the untimely ringing of the fire alarm which delayed the start of the presentation, however finally when it was silenced the guest speaker could be introduced.
CP budeChris Palmer FRPS EFIAP DPAGB APAGB has been interested in photography since the age of 7 and over the years has gained many prestigious awards culminating in the highly esteemed Fellow of the Royal Photographic Society. After reaching what is considered to be one of the highest accolades in photography and with a busy life lecturing and judging, Chris felt he must also continue to enjoy his own very high standard of photography.
Always trying to set his own style and not copy other photographers, his images are deceptively simple. Each image is carefully considered and a lot time is taken looking around the location and finding the best viewpoint before carefully setting up the camera and pressing the shutter at just the right moment.
Chris presented a large selection of his excellent prints on a wide range of subjects descibing why he had taken the photograph. Trees were among the subjects he gets drawn back to and has photographed them many times both in UK and abroad with the images often converted to monochrome – very simple but effective.
Stormy skies and tranquil beech scenes, misty landscapes, close-ups of eroded rocks and pebbles showing subtle colours and interesting shapes are among his favourites.
CP rockThe sea breaking over a sea bathing pool at Bude was photographed from many different angles. Small details that others would miss catch his eye in urban settings as well as in the countryside and make very effective images.
CP paintChris showed a delightful series of superb prints showing children in Istanbul and just for fun he let us see some of his more ‘whacky’ prints!
Very close up images of peeling paint from the hulls of boats which can look like interesting landscapes – an example left looks like an aerial view flock of sheep on a beach.

In landscape photography the lighting is very important to show the form of the terrain and to make the image look 3 dimensional when printed. He says what is left out is as important as what is left in an image. Nature has many shapes, forms and textures that make interesting photographs if you look hard enough – even marks in the sand or a few blades of grass can make an award winning image.
Before printing Chris takes great care to bring out the tones in his images and says that the paper used is important as it can change the appearance of the print. Colours are sometimes de-saturated to give overall harmony to the image.
He enjoys the whole process of photography - the search to find the image that satisfies his creativity then enhancing the image to its best and finally the printing.
Chairman Steve Hardman thanked Chris for his excellent presentation and summed up the evening as both fasinating and inspiring. PM
Images © Chris Palmer     More images can be seen on his website

2019 Christmas Knock-out & Party 17 December 2019  
CW woodsTime once again for the club’s Christmas Knock Out – surely it’s not a year since the last one!
Suitably attired and with a ho ho ho Santa arrived to preside over the annual event and make sure all was fair and square – no cheating or bribing allowed.
There was a very good entry – so large this year that the numbers had to be reduced or we might have still been exercising our arms ‘til the next day. Instead of 6 entries from each member the number needed to be reduced to a more manageable 4, making 120 images altogether.
GC MacaqueThe process of elimination was explained to the new members present and Dave Gray was set up ready to project the images in random pairs. Those present had to choose which of the 2 images shown that they preferred – the left or right or occasionally just to confuse - the top or the bottom. Santa had the job of counting the raised hands or if there was a tie, he had the final say and no one could argue with Santa!
The first 60 pairs were shown with in some cases difficult decisions to be made if they liked both images equally. Subjects were varied but being Christmas there were several robins and snow scenes, also Silbury Hill and Caen Hill Locks were popular local subjects. Sometimes the pairings caused a laugh with similar or converse subjects against each other, but finally 30 images were sadly rejected and 30 went on to the next round.
After some clever shuffling using the computer software the random pairings were projected but this time you could have 2 images by the same photographer against each other (but then at least you knew one would get through the round! )

Then we were down to 15 and with a little bit of juggling down to 8 for the next round.
Then final four images that had avoided the knock-out were declared.
The winner was the delightful ‘Beech woods’ by Caroline Wright. In second place was ‘Japanese Macaque Bathing’ by Gill Cardy which had caused a laugh with its laid- back expression as it got through each round.
TT Water BoatmanThird was ‘Silbury Hill’ by Robert Harvey and in fourth place an insect whose odd pose caused some amusement - ‘Water Boatman’ by Tim Tapley.
RH SilburyThe four winners each received a gift from Santa.
Thanks to all who entered.

Club Chairman, Steve Hardman thanked Santa - alias Frank Collins for organising the entries and Dave Gray for operating the computer.
The 3 Competition Secretaries were thanked for their work organising all this season's competitions.
Thanks went to Caroline Wright for organising the spread of Christmas goodies that members were about to enjoy and thanks also to the members who contributed some extras.
Thanks were also given to Mike Saunders for setting out the hall every week and Bridget Codrington for organising the weekly refreshments.
Finally, Steve wished everyone a Happy Christmas and all the best for the next decade, the bar was opened and the feasting began. PM
See you all again in 2020!

Monochrome Print & Projected Image Competitions 10 December 2019   

DE pointThe judge for the Annual Monochrome Competitions was Ginny Campbell ARPS who was welcomed by the club chairman Steve Hardman. PM EryngiumThere was a very large entry so the meeting started earlier than usual and Ginny said she would not have time to say all that she would like to about each image. The standard was generally very high with a wide range of subjects.
Ginny made an excellent job of judging all the entries and commented on the good points in each image and in some cases where she felt they might have been improved. She said that she looked for a wide tonal range and good contrast between the dark and light areas. In monochrome images the eye goes to the light areas in an image so make sure that your subject stands out. In many cases felt that the image could have been cropped as often ‘less is more’. Images were mostly well processed but commented that a few were over sharpened which gives a halo effect. Ginny looks out for interesting images that tell a story.
Starting with the 34 mounted prints entered, the judge gave very concise and constructive comments on each one picking out 5 HC’s and holding back 6 images before giving the final awards.

First place went to a very interesting image by David Eagle titled ‘Getting to the Point’ left
The judge was intrigued by the subject as it unusually portrayed a lady blacksmith working at her anvil and stated that it had a good composition and was a moment in time well captured.
CW LochA very different subject was in second place with a botanical study ‘Eryngium’ right by Pam Mullings with the judge commenting on the good range of tones.
Next to catch the judges eye was an Isle of Skye landscape by Chris Wilkes- Ciudad titled ‘Loch Cill Chriosd’left  Chris also had 2 more of his prints awarded Highly Commended.
DE Ripple TideHC’s in the print section were also awarded to Pam Mullings, Robert Harvey, Craig Purvis, Steve Hardman, David Lock and David Wilkinson.

Next the judge started commenting on the 81 projected images with a very wide range of subjects – some interesting portraits, architecture, street scenes and many landscapes. Ginny commented that some birds and mammals lent themselves better to monochrome than others and zebras, pied wagtails, gulls and woodpeckers worked well.

DG happyAn image by David Eagle again caught the judges eye – this time a very different subject with a seascape titled ‘Ripple Tide’ right awarded first place. The composition, the patterns made in the sand and the people in the far distance made it an outstanding image.
In second place was a portrait by Dave Gray with the judge saying the monochrome conversion of ‘Happy, Happy, Happy' left suited the smiling subject.
Third place went to one of the nature images with ‘Common Gull at Sea’ right by Tim Tapley catching the bird very well as it flew over the stormy wave.
The judge awarded HC’s to 15 images on a wide variety of subjects, these will all be shown in the Galleries.
TT Gull
With an outstanding evening for David Eagle he was presented with the ‘William Fox Talbot Trophy’ for his print and the ‘Constance Mundy Trophy’ for his projected image.
Many congratulations to David for winning the double!

Thanks to all the members who entered and made it such an interesting evening and thanks to competition secretaries David Wilkinson and David Eagles for the organisation.
Very special thanks to Ginny for judging the entries so well and travelling all the way from Dartmouth to give her comments.
Steve Hardman thanked the judge very much, adding that he found her comments were honest, thorough and constructive.

See all the results           All the awarded images can be seen in the Galleries



'Every Step I Take' 3rd December 2019   
HS rainbowOur latest guest speaker at Devizes Camera Club was Heidi Stewart AWPF who travelled up from South Wales to give us her presentation entitled “Every Step I Take”. After an introduction from our chairman Steve, which established that Heidi is a member of Gwynfa Camera Club, she explained that she would be presenting images taken on her travels around the UK and Iceland.
Now that their children have grown up, she and her husband, a predominantly wildlife photographer and fellow camera club member, treat their holidays and days out as photography workshops. These, and camera club outings, formed the basis of her presentation.

HS auroraShe started with some pictures of Pont-y-Pandy slate mill where she and her husband stopped on the way to Anglesey. They travelled around Anglesey and she shared some lovely images including shots taken around Newborough Beach, Llanddwyn Island and Ty Mawr lighthouse.They travelled to the north and east of the island, where she took photographs of the copper mines at Parris Mountain, Penmon Point and Puffin Island and Beaumaris Pier, before ending up at Aberffraw Bay and St Cwfan’s Church and sunset images of Menai Bridge.

The next section of Heidi’s talk centred on a camera club visit to Iceland. Accompanied by several amusing anecdotes of the trip, she showed us some wonderful images of waterfalls, mountains and volcanic beaches. Stand out images were a series of shots of a red farmhouse in the landscape with a full rainbow, and monochrome shots taken at Vik beach and Diamond beach of black sand and lumps of ice. Heidi also shared a wonderful series of images of the Northern Lights.

HS michaelsIn the second half, Heidi took us to Northumberland where we saw images of Dunstanburgh Castle, Craster and Lindisfarne. She was particularly fascinated with the upturned herring boats which have been turned into sheds. A very high tide covering the causeway to Holy Island gave her the opportunity to take some interesting images of cloud reflections in the water over the roadway.

Her journey continued back to Wales and images of the Elan Valley, Tintern Abbey, the Brecon Beacons and Nash Point. In Cornwall, she went to St Michael’s Mount, Porthleven and Mevagissey and on to various tin mines on the coast, including Crown Mines at Bottalack. And finally she showed us images of her trip to Scotland, taking in Ullapool, Sligachan and Elgol on Skye, Ardrech Castle, Glen Torridon and Wester Ross.

Heidi’s amusing stories to accompany her wonderful photography made for a highly entertaining evening for which our chairman thanked her enthusiastically to a round of applause from the members. DF
images © Heidi Stewart

Open Print Competition 1 26 November 2019   
The judge for the first Open Print Competition of the season was Tony Byram EFIAP, ARPS, AWPF, DPAGB who was welcomed by Steve Hardman.
Tony has visited the club many times before both as a judge and a speaker and said that the standard of prints entered was generally very high and particularly mentioned the very good work in the Beginners section.
DE ForestWhen commenting on the entries Tony advised keeping images simple so the subject stands out even when viewed from a distance as sometimes just concentrating on a part of the original image would have made a better print. Nowadays digital makes it easy to try out new ideas as you can experiment as much as you like with no extra cost involved. In some cases, reversing an image can improve it - so try it out and see if it works for some images.

There was a good entry in the Beginners section and Tony took time to comment on each print and pointing out the good points as well as in some cases how it could have been improved. By taking note of the judges’ comments should help members improve their images. There was wide range of subjects from speeding motorbikes to close up insects with lots of impressive landscapes in between. Tony commented that some images were rather small in the frame so members might like to think about cropping off unnecessary areas before printing.
First place in the Beginners section went to David Eagle with a striking image ‘Deep in the Forest’ left
The judge liked the contrast between the straight trees in the background making the only curved branch stand out in the foreground.
In second place was another woodland scene titled ‘Bluebells at Westwood’, This time the photographer Mark Somerville used the technique of deliberately using camera movement to blur the image. ‘Broad-bodied Chaser’ was a superb close up by David Evans and was placed 3rd. Four other prints were awarded Highly Commended.

PM FantasiaAfter the break the Intermediate Prints were shown with only 12 entries. The print that most impressed the judge was ‘Venetian Sunfire’ left by Craig Purvis. The judge knows Venice well but he said that was not why he chose it but it was becaus of the incredible sky and its reflection.
Second place went to a very different subject with ‘Fox Portrait’ by Steve Hardman. The image was sharp, the colour good and the subject well placed. Another landscape was in third place, this time impressive image of Avebury titled ‘Stones and Stars’. CP Venetian SunfireThe image by Craig Purvis cleverly showing the well-lit stones, a starry sky and clouds radiating from the centre. Other images gaining HC’s showed a flying barn owl, squabbling gannets and a poppy field at dawn.

Last but not least were the 20 Advanced prints with another large range of subjects. In first place was a portrait by Pam Mullings titled ‘Fantasia’ right The judge liked the pose and the creative treatment which picked up the colours around the subject’s eyes.
An image by Robert Harvey ARPS EFIAP taken on a visit to Jordan was titled ‘Overlooking Petra’. The judge said the colours and composition were excellent and the man sitting on the rocks gave a good impression of the scale of the building below which was carved from the solid rock of the mountain and awarded it second place. In third place was a delightful image of a dog running towards the camera by Tim Pier titled ‘Bertie and his Ball’
Four other prints entered in the Advanced section were awarded Highly Commended.

Thanks to Tony for looking at the print entries so closely and giving his helpful comments. Thanks to David Wilkinson who ran the competition and to all those who entered their prints – especially the Beginners as it takes courage to enter your work for the first time for judging. Hopefully more members will have a go and print and mount their images for Open Print Competition 2 in February. PM
 Full Results         All of the awarded images can be seen in the Galleries

Calne Multi-Club Annual Digital Battle  
Calne Camera Club held their annual multi club Battle on the evening of 21 November at the Beversbrook Centre, Calne.
Nine local camera clubs were invited to enter – each submitting 10 digital images.
The judge for the evening was local commercial photographer Darren Luschover.
RH sandstormDarren began by saying how difficult he found it to judge 90 images with such a diverse array of subjects and styles. He said that when he judges he looks for impact in an image and how he feels about an image, the technical details are to him less important. Giving his personal views on each image he talked about the subject of the image and what he found appealing in the image and then gave a score out of 20. He said he felt no image was perfect so he gave 2 images top marks of 19 with the other scores ranging between 9 and 18 points.
SW FungiiDevizes began the evening well with ‘Sandstorm, Namid Desert’ right  by Robert Harvey ARPS EFIAP scoring 18. Later Sue Wadman also scored 18 points for ‘Fungi in the Rain’ left so very well done to both of them.
At half time Devizes was just one point behind first placed Calne CC so hopes were high! However, that all changed after the second half when the final scores were announced and Devizes had slipped to seventh place with a total of 151 points. Warminster CC, Swindon PS and Corsham PC all tied on 152 points, Calne CC were third with 158, in second place were Highworth CC with161 and in first position were Frome Wessex CC with 164 - so many congratulations to Frome.
Alan Denison from Frome Wessex CC was awarded best image for his monochrome image ‘Window Dancer’
As the judge said - judging is a personal choice and if the results are compared to our results in the Battle with Frome Wessex held a few weeks ago that judge had a completely different opinion. Hopefully we have better luck in our next competition!
DCC Battle Secretary Dave Gray was unfortunately unable to attend but about nine members went to Calne on a very cold evening to represent the club.
Thanks to Calne CC for their hospitality and for organising the event, thanks to Dave Gray for sending in our entry and thanks also to members whose images were selected – well done. PM

Devizes results

'Shooting People and Other Stuff" 19 November 2019   
MM4Mike Martin is an award winning photographer who a few years ago started his passion for portrait photography after a group studio session. He says he is a hobbyist photographer and keen member of Bristol and Kingswood Photographic Societies. He photographs a wide range of subjects including urban photos, architecture, plants, beasts and bugs but always likes to ‘think outside the box’
MM3The evening began with Mike showing a great number of his excellent prints in quick succession. Starting with some taken at the start of his photographic journey in about 1996 using film and darkroom techniques. He says later on a group workshops gave him an interest in portraiture and he gained a lot of experience by working with other photographers as they could bounce ideas off one another. A fellow photographer introduced him to the world of models and make-up artists and so together they arranged photo shoots in a variety of interesting locations. Sometimes using natural light and other times setting up artificial light both outdoors and in the indoor setting or studio. The location often gives ideas for interesting poses and models often have to be prepared for anything that is requested!
Props of various sorts are used – backgrounds and costumes convey all sorts of scenarios and anything else can be used to make an interesting image. Mike carries around various items which might come in useful for adding the right colour or effect such as pieces of fabric and says he finds ‘gaffer’ tape often comes in useful to hold things in place. He even arranges for snakes and other reptiles, tarantulas and even scorpions to be used to great effect and models may even have paint dripped on them if Mike feels it creates an interesting effect.
Many of the prints shown were monochrome and with his colour prints he takes great care to make sure the overall tones were harmonious. Often the colours are de-saturated in post-production and great care taken to edit the whole image to his taste. Mike showed several examples of panels of 3 images where the subject and the colours must work well together as a set.
 MM2Mike is always experimenting and looking for new ideas and said he likes to learn something new every day! As well as working with studio set ups he always carries a compact camera to record anything that might make an interesting image or background. MM1Photographs are sometimes taken using infra-red to give interesting effects.

After the break Mike let us into the secrets of how many of his images we had just seen were created. Using projected images he showed the ‘before and after’ which appeared very different.  The advice is to simplify and show only the parts of the image that appeal, think why you took the image and eliminate or disguise everything else. This is sometimes done by cropping, blurring or darkening unwanted areas. Using masks, blend modes, textures and many other techniques the original image can be transformed into something completely different.
Combinations of several images were imaginatively used to create something unique. Mike likes to feel the images have his signature on them and are not similar to any other photographers. Even working alongside others on a group shoot with the same model he can edit his images to look completely different.
Mike was thanked by club chairman Steve Hardman for giving members such an inspiring insight into the creative side of portrait photography and said he expected he might possibly see more creative work from club members in future. PM
Images © Mike Martin

Light Painting 12 November 2019     
In a change to the scheduled programme, we welcomed Michelle Essenson to Devizes Camera Club for a presentation and practical session on Light Painting. Introduced as an enthusiastic speaker and regular presenter at the Royal Photographic Society, we had all been advised to bring our cameras (with Manual mode and Bulb function), sturdy tripod and plenty of batteries.
DF LightPainting 2First of all, Michelle explained what Light Painting is, referring us to a definition on Wikipedia. She said it might involve lighting a scene, creating a scene by recording light movement, or producing results by moving the camera and using a static light source. The history of Light Painting, she said, goes back to the 1880’s when the first photographs to trace human movement were produced. Later, in 1914, the technique was used in a Time & Motion study by strapping lights to workers and recording their movement on a camera with an open shutter. Today it is used mostly as an art form and in commercial photography. She referred us to for further information.
Michelle told us a bit about her own photography journey, saying that she does some nature photography as well as shooting landscapes, astrophotography and likes to work with water, although she said she did not do much people photography. She started using Light Painting in January 2014 using just a torch and became hooked straight away. She now spends a lot of her time doing light painting photography with a vast array of tools, including light sabres, bicycle wheels and one, her favourite, that she described as a “rave whip”!
Many of her tools are homemade, using acrylic rods with torches attached using adapters made from plumbing accessories. Michelle recommended Hindleys Ltd for the inexpensive purchase of acrylic rods, tubes and sheets. She advocated using strings of LED lights, like Christmas decorations, attached to old bicycle wheels, curtain rails and skipping ropes. Specialist tools can also be bought from and Torches are essential and she recommended those with a memory mode and an on/off switch at the end. Variable intensity, multi-coloured features and strobe effects are also desirable.
Michelle then gave us a list of issues to consider for our own Light Painting activities. These included:
DF LightPainting 1• use a tripod
• work out the width of your work area, mark it out; move your tripod or zoom as need while the lights are on
• use Manual Mode and Bulb mode
• F8 and ISO 200 is a good starting point - vary according to the strength of the light source
• use autofocus initially and switch to Manual focus to fine tune
• take account of the usual long exposure considerations
• use Mirror lock-up or a mirrorless camera
• use a cloth to cover the lens while changing tools or during idle periods of exposure
• use a cable release or remote shutter trigger
• and then remove all other light sources (switch out the lights)
- and always be aware of SAFETY while working in the dark.
To emphasize the importance of safety, Michelle told us how she had been badly hurt when she tripped and fell near the canal on one of her many Light Painting forays.
After a quick cup of tea, Michelle led a fast-paced workshop, giving those who had brought their cameras a chance to capture images using a variety of her tools. Her enthusiasm was infectious and everyone really enjoyed the process. Both photographers and watchers were impressed with the results and inspired to do more.
Our Chairman was profuse in his thanks to Michelle for standing in at such short notice and providing us with a very memorable evening. DF
Images by David Fraser