|Our Members Present ...|
Members of the club were asked to give a short presentation of their work, their thoughts and the way they approach their photography.
There are many different ways that photographers prefer to work – some are very methodical and pre-plan every detail before taking a photograph while others just get inspired by something they just happen to come across.
Starting off the evening David Fraser presented a selection of his excellent photographs taken on a four-day safari to a private reserve on the edge of the Kruger National Park in South Africa. Travelling in an open topped vehicle with a driver and a tracker David and his wife were delighted to see a pride of fifteen lions on their foray into the bush.
Using a 100 – 400 mm and at times a 28 – 125 mm lens David found that the image stabilisation worked very well and gave excellent results. At times when using the larger lens elephants came so close to the vehicle that he had difficulty fitting them into the frame! Close up mother and baby elephant right.
David and his wife manages to see all of the ‘big five’ during their visit including superb views of a stunning leopard left as it rested on a turmite mound.
They were able to follow a pack of the elusive wild dogs as they hunted, saw spotted hyenas and their cubs and once when rushing through the bush a group of rhinos were startled and looked for a moment as if they might charge.
On one of the days the guide was asked to look out for birds and David managed to photograph many of them including colourful Bee Eaters, Lilac Breasted Rollers and a Crested Barbet.
On safari often you have to be prepared to take your photographs very quickly or you may miss the action.
Thanks to David for giving an insight into his interesting safari and his animal encounters.
Next on a very different topic Pam Mullings spoke about her interest in photographing interesting characters that she came across in the street or at events. No image is pre – planned but taken just when the opportunity arises and someone or something interesting is seen. it is most often a ‘grab shot’ so tUsing a bridge camera with a 25-400 zoom lens subjects are usually unaware they are being photographed and so behave naturally rather than posing for the camera.
Showing the ‘before’ and then ‘after’ images Pam showed how she removes unwanted background distractions and then using editing software manipulates the images. With an idea in mind images are altered to give the desired effect and often combined with other photographs to give a composite image. Using layers and a lot of trial and error, new techniques are always being tried out. Textures and layer blends are often used to give interesting effects. An example of an image as taken and then the final edited image is shown right.
Club chairman Richard Watson LRPS rounded off the evening by showing images taken by photographers that inspire him.
The deceptively simple flower photographs by Sue Bishop are some of Richard’s favourites, usually with a shallow depth of field, subtle combinations of colour and a delightful creative style.
The atmospheric landscapes of Mark Littlejohn use various techniques such as split toning, radial filters and gradients to enhance the mood. The results make the landscapes look almost like paintings and yet still retain all the detail of the photograph.
Another landscape photographer is Finn Hopson whose images of the South Downs inspire Richard to take more photographs of the Wiltshire hills and downland with their interesting contours.
The almost abstract images by Valda Bailey often use double exposures – another technique that Richard would like to explore further.
See images by these photographers on their websites.
Richard explained that he has not had much time for photography recently but still manages to take anything that inspires him during his working day. He then went on to show a few of his own photographs – mostly taken and edited using his phone which gives excellent results.
An old overgrown farm trailer made an interesting subject and Richard said he would like to make a series of similar monochrome images in the future.
Close up of a magnolia flower by Richard shown left.